Music and lyrics by Giuseppe Ferrara & Benjamin D’Agresta
Recording, mixing & mastering: Gaethan Dehoux
Editing: Giuseppe Ferrara
Videographers: Maarten Denys, Valentin Michaud, Giuseppe Ferrara
Music video by Suicide Sue performing “Long Teeth, Black Lips”
In memory of Mtulazaji P.E.A.C.E Davis
Production Company: Mochilla
Producer: Pablo Aguilar
Directors: B+ (@bpleasel) and aja monet
DP: Coleman (@ecoleye)
AC: Jeff Cerritos (@simpleassjeff)
Additional Camera: B+
Art Direction: Tsz Man Lo (@lozan816)
PA: Sam Wohl (@samwohl) Catering: Vera (@veraheartbeatmusic)
Editors: Eric Coleman (@ecoleye) & Ollie Tristram (@ollietristrampost)
Post-Wizardry, effects and color: Troy Browne (@troybrowne)
Archival Research and Consultant: Antonio Buyard
Creative Consultant: Claudius Ansah...
Direction/Camera/Edit by Noel Paul
Production Design/Lighting by Kaceylin Prinea
Starring: Adam Brisbin, Terry Brisbin, Buck Meek, Jesse Quebbeman-Turley, Ken Woodward
Clip by Matthias Eyer (L'Essaim Production).
Recorded by Antoine Livenais at Studio Adjololo.
Mixed by Elliot Aschard et Steven Ludard at Studio La Cuve.
Mastered by Peter Deimel at Black Box Studio.
Booking by Dionysiac Tour : erwan.dtour@gmail.com
Label : info@stolenbodyrecords.co.uk & lecepe.records@gmail.com
RP by These Days : contact.thesedays@gmail.com
Production - L'Essaim , Director - Matthias Eyer , Dancers - Rebeka Marinšek Počivavšek et Andrès Hidalgo Laguna , Make-Up - Line Levron , 2nd cam - Félix Rönisch ...
Recorded live on 20 January, 2025 at Studios Ferber, Paris.
Recording engineer: Nicolas Beugnot
Assistant engineer: Théo Tran
Mixing/Mastering: Stew Crookes
Camera & editing: Kevin Rolland
Credits: (p) Zamora Productions
Lead vocals, guitar: Flora Hibberd
Guitar, keys: Victor Claass
Pedal steel guitar: Stew Crookes
Bass: Nils Sørensen
Drums: Vincent Pedretti
Nelson B. le Bronx dévoile un titre rythmé et entraînant, extrait de son album Bad Mojo. Entouré de Jojo à la basse et Thomas Lauret au violon, il signe un morceau plein de good vibes et d’énergie folk. Dans le clip, la danse lumineuse d’Inès Leblanc croise la route de la légendaire Huggy’s Mobile, une Lincoln de 1975, le clip respire l’énergie du folk et l’esprit de la route.
